Join us in celebrating Latin American music and culture at our annual Hispanic Heritage month concert. If there's one thing to be learned about classical music from Latin America, it’s that there's much more than many of us have had the chance to hear. We dare you to leave without a smile.
Acompáñenos a celebrar el mes de la herencia hispana. Si hay algo que aprender sobre la música clásica de América Latina, es que hay mucho más de lo que la mayoría de nosotros hemos tenido la oportunidad de escuchar. Lo desafiamos a que se vaya sin una sonrisa.
ARTISTS: Enrico Lopez-Yañez, conductor
PROGRAM: PIAZZOLLA (arr. Bragato): La muerte del ángel (Argentina) | CAMPOS: Danza festiva (Peru) | GUARNIERI: Concerto para cordas e percussão (Brazil) | VINICIO MEZA: Suite latinoamericano (Costa Rica) | BRAGATO: Malambo (Argentina) | PIAZZOLLA (Arr. Bragato): Las cuatro estaciones porteñas (Argentina) | ROMERO: Suite para cuerdas (Venezuela) | APOLINAR CAMACHO (Arr. Agustín Fernández): Viva mi patria Bolivia (Bolivia) | PONCE (arr. Gould): Estrellita (Mexico) | TRADITIONAL (arr. Lopez-Yañez): La Llorona
Join us in celebrating Latin American music and culture at our annual Hispanic Heritage month concert. If there's one thing to be learned about classical music from Latin America, it’s that there's much more than many of us have had the chance to hear. We dare you to leave without a smile.
Acompáñenos a celebrar el mes de la herencia hispana. Si hay algo que aprender sobre la música clásica de América Latina, es que hay mucho más de lo que la mayoría de nosotros hemos tenido la oportunidad de escuchar. Lo desafiamos a que se vaya sin una sonrisa.
ARTISTS: Enrico Lopez-Yañez, conductor
PROGRAM: PIAZZOLLA (arr. Bragato): La muerte del ángel (Argentina) | CAMPOS: Danza festiva (Peru) | GUARNIERI: Concerto para cordas e percussão (Brazil) | VINICIO MEZA: Suite latinoamericano (Costa Rica) | BRAGATO: Malambo (Argentina) | PIAZZOLLA (Arr. Bragato): Las cuatro estaciones porteñas (Argentina) | ROMERO: Suite para cuerdas (Venezuela) | APOLINAR CAMACHO (Arr. Agustín Fernández): Viva mi patria Bolivia (Bolivia) | PONCE (arr. Gould): Estrellita (Mexico) | TRADITIONAL (arr. Lopez-Yañez): La Llorona
Join us in celebrating Latin American music and culture at our annual Hispanic Heritage month concert. If there's one thing to be learned about classical music from Latin America, it’s that there's much more than many of us have had the chance to hear. We dare you to leave without a smile.
Acompáñenos a celebrar el mes de la herencia hispana. Si hay algo que aprender sobre la música clásica de América Latina, es que hay mucho más de lo que la mayoría de nosotros hemos tenido la oportunidad de escuchar. Lo desafiamos a que se vaya sin una sonrisa.
ARTISTS: Enrico Lopez-Yañez, conductor
PROGRAM: PIAZZOLLA (arr. Bragato): La muerte del ángel (Argentina) | CAMPOS: Danza festiva (Peru) | GUARNIERI: Concerto para cordas e percussão (Brazil) | VINICIO MEZA: Suite latinoamericano (Costa Rica) | BRAGATO: Malambo (Argentina) | PIAZZOLLA (Arr. Bragato): Las cuatro estaciones porteñas (Argentina) | ROMERO: Suite para cuerdas (Venezuela) | APOLINAR CAMACHO (Arr. Agustín Fernández): Viva mi patria Bolivia (Bolivia) | PONCE (arr. Gould): Estrellita (Mexico) | TRADITIONAL (arr. Lopez-Yañez): La Llorona
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
Utah Opera opens its 2020-21 season with a double bill of one-act operas that explore the timely themes of isolation and need for human connection.
Called “an intimate view of a woman’s emotional spiral” (Meghan Klinkenborg, Schmopera.com), Francis Poulenc’s The Human Voice (La voix humaine) tells the story of Elle’s final phone call with her former lover, who is now in love with another. As she attempts to reconcile their relationship, the phones and other mobile devices that are supposed to help them communicate, keep them disconnected and apart instead.
Joseph Horovitz’ comedy Gentleman’s Island is the tale of two English gentlemen, a tea taster and indigo importer, who are stranded on the same deserted island, but ought not to speak to each other as they are gentlemen who have not been properly introduced. In time, they agree that communication and cooperation is permissible, but that relationship is complicated when a mutual friend from their past appears on the island in a very unbecoming way.
ARTISTS: Francis Poulenc, composer (Human Voice) | Jean Cocteau, librettist (Human Voice) | Joseph Horovitz, composer (Gentleman’s Island) | Gordon Snell, librettist (Gentleman’s Island) | Kristine McIntyre, director | James Lowe, arranger (Human Voice)
Cast 1: Wendy Bryn Harmer, Elle (Human Voice) | Brian Stucki, Mr Gray, a tea taster (Gentleman’s Island) | Christopher Clayton, Mr Somers, an indigo importer (Gentleman’s Island)
Cast 2: Edith Grossman, Elle (Human Voice) | Daniel O’Hearn, Mr Gray, a tea taster (Gentleman’s Island) | Brandon Bell, Mr Somers, an indigo importer (Gentleman’s Island)
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
The Beatles come to life in REVOLUTION, a new symphonic experience featuring top vocalists and musicians accompanied by Grammy Award-winner Jeff Tyzik’s new arrangements. REVOLUTION includes music transcribed and arranged for orchestra from the original master recordings at Abbey Road. Your favorite Beatles’ hits will be accompanied by hundreds of rare and unseen photos from the historic, London-based archives of The Beatles’ official fan magazine, The Beatles Book Monthly, along with stunning video and animation.
The Beatles come to life in REVOLUTION, a new symphonic experience featuring top vocalists and musicians accompanied by Grammy Award-winner Jeff Tyzik’s new arrangements. REVOLUTION includes music transcribed and arranged for orchestra from the original master recordings at Abbey Road. Your favorite Beatles’ hits will be accompanied by hundreds of rare and unseen photos from the historic, London-based archives of The Beatles’ official fan magazine, The Beatles Book Monthly, along with stunning video and animation.
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
We are committed to providing a safe space for our artists to create. We are working on revised programming, with social distancing protocols in place, that works seamlessly with current health and safety recommendations. Updated concert programming will be announced at a later date.
Learn more about our health and safety plan here.
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