Wagner’s name is synonymous with opera—and his stormy, haunting, and poetic tale dives into the depths as it asks whether love can bring redemption.
Only able to come ashore once every seven years, a ghostly sea captain must find true love to break the spell that doomed him to sail the seas for all eternity—but when he finally meets the woman who could change his fate, will he allow himself to trust her?
ARTISTS: Ari Pelto, conductor | Andreas Hager, director | Michael Chioldi, The Dutchman | Wendy Bryn Harmer, Senta | Robert Stahley, Erik | Tichina Vaughn, Mary | Utah Opera Chorus | Utah Symphony
Wagner’s name is synonymous with opera—and his stormy, haunting, and poetic tale dives into the depths as it asks whether love can bring redemption.
Only able to come ashore once every seven years, a ghostly sea captain must find true love to break the spell that doomed him to sail the seas for all eternity—but when he finally meets the woman who could change his fate, will he allow himself to trust her?
ARTISTS: Ari Pelto, conductor | Andreas Hager, director | Michael Chioldi, The Dutchman | Wendy Bryn Harmer, Senta | Robert Stahley, Erik | Tichina Vaughn, Mary | Utah Opera Chorus | Utah Symphony
Wagner’s name is synonymous with opera—and his stormy, haunting, and poetic tale dives into the depths as it asks whether love can bring redemption.
Only able to come ashore once every seven years, a ghostly sea captain must find true love to break the spell that doomed him to sail the seas for all eternity—but when he finally meets the woman who could change his fate, will he allow himself to trust her?
ARTISTS: Ari Pelto, conductor | Andreas Hager, director | Michael Chioldi, The Dutchman | Wendy Bryn Harmer, Senta | Robert Stahley, Erik | Tichina Vaughn, Mary | Utah Opera Chorus | Utah Symphony
Wagner’s name is synonymous with opera—and his stormy, haunting, and poetic tale dives into the depths as it asks whether love can bring redemption.
Only able to come ashore once every seven years, a ghostly sea captain must find true love to break the spell that doomed him to sail the seas for all eternity—but when he finally meets the woman who could change his fate, will he allow himself to trust her?
ARTISTS: Ari Pelto, conductor | Andreas Hager, director | Michael Chioldi, The Dutchman | Wendy Bryn Harmer, Senta | Robert Stahley, Erik | Tichina Vaughn, Mary | Utah Opera Chorus | Utah Symphony
Wagner’s name is synonymous with opera—and his stormy, haunting, and poetic tale dives into the depths as it asks whether love can bring redemption.
Only able to come ashore once every seven years, a ghostly sea captain must find true love to break the spell that doomed him to sail the seas for all eternity—but when he finally meets the woman who could change his fate, will he allow himself to trust her?
ARTISTS: Ari Pelto, conductor | Andreas Hager, director | Michael Chioldi, The Dutchman | Wendy Bryn Harmer, Senta | Robert Stahley, Erik | Tichina Vaughn, Mary | Utah Opera Chorus | Utah Symphony
Mussorgsky’s depiction of a gentle morning sunrise is juxtaposed with the vivacious work that follows—Prokofiev’s Piano Concerto No. 3, known for its bursts of spontaneity and crisp expression. Andrew Staupe, praised for his immaculate technique, joins as soloist. Proving Tchaikovsky’s place as one of the Romantic era’s most gifted composers, his Symphony No. 5 takes us on a journey of haunting melodies, shocking climaxes, charming elegance, and joyful abandon.
ARTISTS: David Danzmayr, conductor | Andrew Staupe, piano | Utah Symphony
PROGRAM: MUSSORGSKY: Prelude to Khovanshchina | PROKOFIEV: Piano Concerto No. 3 | TCHAIKOVSKY: Symphony No. 5
Mussorgsky’s depiction of a gentle morning sunrise is juxtaposed with the vivacious work that follows—Prokofiev’s Piano Concerto No. 3, known for its bursts of spontaneity and crisp expression. Andrew Staupe, praised for his immaculate technique, joins as soloist. Proving Tchaikovsky’s place as one of the Romantic era’s most gifted composers, his Symphony No. 5 takes us on a journey of haunting melodies, shocking climaxes, charming elegance, and joyful abandon.
ARTISTS: David Danzmayr, conductor | Andrew Staupe, piano | Utah Symphony
PROGRAM: MUSSORGSKY: Prelude to Khovanshchina | PROKOFIEV: Piano Concerto No. 3 | TCHAIKOVSKY: Symphony No. 5
Mussorgsky’s depiction of a gentle morning sunrise is juxtaposed with the vivacious work that follows—Prokofiev’s Piano Concerto No. 3, known for its bursts of spontaneity and crisp expression. Andrew Staupe, praised for his immaculate technique, joins as soloist. Proving Tchaikovsky’s place as one of the Romantic era’s most gifted composers, his Symphony No. 5 takes us on a journey of haunting melodies, shocking climaxes, charming elegance, and joyful abandon.
ARTISTS: David Danzmayr, conductor | Andrew Staupe, piano | Utah Symphony
PROGRAM: MUSSORGSKY: Prelude to Khovanshchina | PROKOFIEV: Piano Concerto No. 3 | TCHAIKOVSKY: Symphony No. 5
It’s time to go hunting for Horcruxes once more: part one of Harry Potter and the Deathly Hallows™ in Concert is nearly here! The Utah Symphony performs Alexandre Desplat’s epic score as the franchise’s seventh film is projected onto a giant screen. Join all your favorite characters—and not-so-favorite ones!—as they encounter familiar dangers, new threats, and powerful friendships in this once-in-a-lifetime event.
WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros.
Entertainment Inc. Publishing Rights © JKR. (s22)
ARTISTS: Justin Freer, conductor | Utah Symphony
It’s time to go hunting for Horcruxes once more: part one of Harry Potter and the Deathly Hallows™ in Concert is nearly here! The Utah Symphony performs Alexandre Desplat’s epic score as the franchise’s seventh film is projected onto a giant screen. Join all your favorite characters—and not-so-favorite ones!—as they encounter familiar dangers, new threats, and powerful friendships in this once-in-a-lifetime event.
WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros.
Entertainment Inc. Publishing Rights © JKR. (s22)
ARTISTS: Justin Freer, conductor | Utah Symphony
It’s time to go hunting for Horcruxes once more: part one of Harry Potter and the Deathly Hallows™ in Concert is nearly here! The Utah Symphony performs Alexandre Desplat’s epic score as the franchise’s seventh film is projected onto a giant screen. Join all your favorite characters—and not-so-favorite ones!—as they encounter familiar dangers, new threats, and powerful friendships in this once-in-a-lifetime event.
WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros.
Entertainment Inc. Publishing Rights © JKR. (s22)
ARTISTS: Justin Freer, conductor | Utah Symphony
Performed by internationally acclaimed pianist Andrei Korobeinikov, Tchaikovsky’s swooning Piano Concerto No. 1 is the height of heart-on-your sleeve emotion. Augusta Read Thomas takes inspiration from the “biological ballet” of proteins in the human body for Dance Foldings, Ives craftily works “Turkey in the Straw” and other American folk tunes into his Symphony No. 2, and this wide-ranging program opens with Salieri’s entertaining overture to an opera about an opera.
ARTISTS: Thierry Fischer, conductor | Andrei Korobeinikov, piano | Utah Symphony
PROGRAM: SALIERI: Prima la musica poi le parole (First the music and then the word) | TCHAIKOVKSY: Piano Concerto No. 1 | AUGUSTA READ THOMAS: Dance Foldings | IVES: Symphony No. 2
Performed by internationally acclaimed pianist Andrei Korobeinikov, Tchaikovsky’s swooning Piano Concerto No. 1 is the height of heart-on-your sleeve emotion. Augusta Read Thomas takes inspiration from the “biological ballet” of proteins in the human body for Dance Foldings, Ives craftily works “Turkey in the Straw” and other American folk tunes into his Symphony No. 2, and this wide-ranging program opens with Salieri’s entertaining overture to an opera about an opera.
ARTISTS: Thierry Fischer, conductor | Andrei Korobeinikov, piano | Utah Symphony
PROGRAM: SALIERI: Prima la musica poi le parole (First the music and then the word) | TCHAIKOVKSY: Piano Concerto No. 1 | AUGUSTA READ THOMAS: Dance Foldings | IVES: Symphony No. 2
Performed by internationally acclaimed pianist Andrei Korobeinikov, Tchaikovsky’s swooning Piano Concerto No. 1 is the height of heart-on-your sleeve emotion. Augusta Read Thomas takes inspiration from the “biological ballet” of proteins in the human body for Dance Foldings, Ives craftily works “Turkey in the Straw” and other American folk tunes into his Symphony No. 2, and this wide-ranging program opens with Salieri’s entertaining overture to an opera about an opera.
ARTISTS: Thierry Fischer, conductor | Andrei Korobeinikov, piano | Utah Symphony
PROGRAM: SALIERI: Prima la musica poi le parole (First the music and then the word) | TCHAIKOVKSY: Piano Concerto No. 1 | AUGUSTA READ THOMAS: Dance Foldings | IVES: Symphony No. 2
Most pianists regard and even fear Rachmaninoff’s Piano Concerto No. 3 as the most difficult in the repertoire, but Stephen Hough—who Music Director Thierry Fischer praises as “the perfect soloist”—is sure to take on the challenge with grace. Familiar music from Wagner’s Ring cycle is full of stirring, operatic drama and Unsuk Chin’s Chóros Chordón is a magical work evoking the cosmos.
ARTISTS: Thierry Fischer, conductor | Stephen Hough, piano | Utah Symphony
PROGRAM: UNSUK CHIN: Chóros Chordón | WAGNER (arr. Philippe Jordan): “Prelude, Interludes & Entry of the Gods into Valhalla” from Das Rheingold | RACHMANINOFF: Piano Concerto No. 3
Most pianists regard and even fear Rachmaninoff’s Piano Concerto No. 3 as the most difficult in the repertoire, but Stephen Hough—who Music Director Thierry Fischer praises as “the perfect soloist”—is sure to take on the challenge with grace. Familiar music from Wagner’s Ring cycle is full of stirring, operatic drama and Unsuk Chin’s Chóros Chordón is a magical work evoking the cosmos.
ARTISTS: Thierry Fischer, conductor | Stephen Hough, piano | Utah Symphony
PROGRAM: UNSUK CHIN: Chóros Chordón | WAGNER (arr. Philippe Jordan): “Prelude, Interludes & Entry of the Gods into Valhalla” from Das Rheingold | RACHMANINOFF: Piano Concerto No. 3
Most pianists regard and even fear Rachmaninoff’s Piano Concerto No. 3 as the most difficult in the repertoire, but Stephen Hough—who Music Director Thierry Fischer praises as “the perfect soloist”—is sure to take on the challenge with grace. Familiar music from Wagner’s Ring cycle is full of stirring, operatic drama and Unsuk Chin’s Chóros Chordón is a magical work evoking the cosmos.
ARTISTS: Thierry Fischer, conductor | Stephen Hough, piano | Utah Symphony
PROGRAM: UNSUK CHIN: Chóros Chordón | WAGNER (arr. Philippe Jordan): “Prelude, Interludes & Entry of the Gods into Valhalla” from Das Rheingold | RACHMANINOFF: Piano Concerto No. 3
Dare to be starstruck as critically acclaimed Broadway favorite, Bernadette Peters, takes the stage at Maurice Abravanel Hall. Accompanied by the Utah Symphony, this three-time Tony award winning chanteuse will dazzle you with beloved hits from musicals past and present!
ARTISTS: Bernadette Peters | Marvin Laird, conductor | Utah Symphony
Dare to be starstruck as critically acclaimed Broadway favorite, Bernadette Peters, takes the stage at Maurice Abravanel Hall. Accompanied by the Utah Symphony, this three-time Tony award winning chanteuse will dazzle you with beloved hits from musicals past and present!
ARTISTS: Bernadette Peters | Marvin Laird, conductor | Utah Symphony
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